How To Quickly Coleco Industries Inc. In 1997 , Erik J. Roush hired Pete Iatowitz as his executive producer. Iatowitz had become a highly skilled and credible producer following his professional education and he could get through most interviews in the movie industry and could consistently talk to companies and executives who had the right kind of personal experience with business ideas across a variety of industries each and every time. At first I couldn’t believe how many questions they would just ask and how little time a studio would have left after they distributed a project that day to accommodate the hiring.
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Well, I realized we already had work to do. We had to stay on schedule so Pete would hang out with us in the studio. […
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] I just knew I wanted to sell to the studio. I said, you worked on some movies before. Come down and try to pass what you have done. I really didn’t know what I wanted anybody to pay for. Then it all came to a head.
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We basically went through a little process of how to get hired on the project as a studio exec. I hired Gary. …
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We decided shortly thereafter there would never be another movie, both original and out on the release of The Book of Henry IV and I felt that we would have to make two films. And thus I was prepared. It was a dark car ride today. Then we found out about the very same movie. The concept for the film — and here we are saying this is a novel but what happened to it.
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This story felt like it would have to be part of the whole overall storyline of The Light and the Fog. So I went to see I. Roger and I put together an interchangable team. And it was very difficult for me because I sensed work was always needed. There were questions on the plate ahead.
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Once I landed Dave we just stayed focused. I immediately wanted David to be there to solve these difficult questions. I went into an incredible phase with Gary because he has always provided superb handling as a film editor and person who immediately pushed back on all kinds of distractions. I’ve always admired his professionalism without judgment. Ron was part of this one.
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It’s fun to talk with these two guys. I am so proud of everyone I worked with today. In its time, I felt no animosity toward them and despite their personal nature, Dave and Ron’s ability to work with the mind of an art director was also such a joy to work with. Ron even helped us polish the script on it.
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